Thursday, 26 April 2012

Fairy Tale Review: H is for 'Hansel and Grettel'

I chose to feature the Grimm brothers' tale Hansel and Grettel in today's post partly because of the story's survival-of-the-fittest angle, but also because the story's emphasis on sibling love instead of rivalry fascinated me.

I'm certain most of us have read Hansel and Grettel or come across it in some form or another from a very early age. Hansel and Grettel are, of course, a brother and sister living on the outskirts of what proves to be a rather fateful forest. Their family is quite impoverished, and when hard times become harder than usual, their father - a woodcutter - and their stepmother decide to take them deep into the forest and leave them there (leaving the family with two less mouths to feed).

The children overhear their parents' conversation however, and initially thwart them by leaving stones to mark the path taken from the woodcutter's hut to the middle of the forest, by which they find their way back that night. The second time their parents leave them in the woods, however, Hansel has no stones to mark the way back, and so he instead leaves bread crumbs to be followed back home. Unfortunately, the crumbs are eaten by birds before the children can get home, and they are stranded all alone just as their parents had planned.

But before Hansel and Grettel can give up on finding their home again - or die of hunger - they come across a house made of sweets and bread. The eatable house is not what it seems, of course. The place was cleverly designed by a witch with the specific purpose of luring wandering children to her, after which she intends to fatten them up and eat them. Hansel and Grettel are captured, but before the witch can carry out her foul plans and roast the brother and sister, she gets her just desserts *grin*, the children escape with an array of her jewels, and promptly find their way back to their their family (sans stepmother, who it seems is to take practically all the blame for sending the kids away).

Their is a certain dark - perhaps gothic - feel to this story. It's always spooked me a little, maybe because I've always been tempted by sweets myself:), but more likely because it's one of those tales that cuts a little too close to reality sometimes. I've certainly heard stories from my grandparents' generation of children being left with family friends or extended family without a word of warning, usually to combat the threat of starvation or scarcity if they'd stayed with their own parents during difficult times. It might be the shadow of those tales that casts a touch of darkness over Hansel and Grettel's plight. Or maybe it's simply the sinister overtones present in the thought of them being abandoned by their own parents to fend for themselves in a dark forest, one which holds only deception and death for the unwary.

But, as I mentioned above, what always brings me back to this story isn't its gothic atmosphere or concern for the children's safety, or even the appreciation for the children's intelligence in the face of adversity; instead, it's the strong sense of love between the siblings that has always charmed this reader. Somehow, despite everything - and everyone - that conspires against them, one knows that Hansel and Grettel will see each other through all obstacles and survive to tell the tale, simply because the brother and sister truly love each other and will stick together no matter what life throws at them. In the end, the bond between the siblings is too great to bend under the pressures of ordinary - and, well, extraordinary - life.

Now that's something heartening to take away from a tale such as this - and surely what makes Hansel and Grettel the classic it is. I've no doubt this fairy tale will live through the ages to be read again and again by wide-eyed children all over the world, reminding them always of the power and strength that can come from loving your family, especially your siblings, through the good days and the bad, wherever life's paths might take you:)


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Sunday, 22 April 2012

Fairy Tale Review: G is for 'Goldilocks and the Three Bears'

Hmmm, one never knows what can crop up when reviewing a fairy tale. Imagine my surprise when I opened my version of Andrew Lang's Green Fairy Book only to discover a tale called The Story of the Three Bears which made no mention of a little girl named Goldilocks. Not to be deterred, I next visited Maria Tartar's famous collection; she noted that The Story of the Three Bears by Robert Southey (1837) in fact had no little girl in it at all; an unnamed old woman is the intruder in his version. The little girl first makes an appearance only later in the 1850 version by Jospeh Cundall, and Goldilocks was subsequently named as such by Flora Annie Steel in her 1918 collection of English fairy tales.

Luckily for me, the version with Goldilocks in it was included in Maria Tartar's book *huge sigh of relief*, so I'm gonna go ahead and review that one as planned!:)

Ah, this has to be the cutest fairy tale of them all:) The story takes place in a forest, in which is placed a cosy little home belonging to three bears: the Little, Small, Wee Bear; the Middle-sized Bear; and the Great, Huge Bear. These were neat and tidy creatures, polite and well-mannered and generally good-hearted. And they never locked their doors. *ahem: lesson to be learned here, people*:)

Well, what happens to bears who do not lock their doors? They get visited by intruders when they're away from home, of course. And what a rude intruder visits the Three Bears... In strolls Goldilocks, easy as you please, after making sure no one's at home (hmmm, obviously she's practised at this kind of thing). She proceeds to sample the bears' breakfasts and try out their chairs and beds. Being a bit bigger than the Wee Bear - and apparently liking his porridge the best - she eats it all up, proceeds to break his chair after sitting on it, and then takes refuge in his bed (because it fits her the best).

When the Bears return home, they're amazed to see their food and furniture so misused. Goldilocks is soon discovered sleeping in Wee Bear's bed, and once awoken by the little fellow's "shrill" voice, she beats a hasty retreat from the house, never to be seen by the Bears again.

I have to tell you, this was the strangest story to revisit out of everything so far. I mean, it's a short tale, and a pretty straightforward one, but I was really surprised to discover just how much of a - of a delinquent - Goldilocks was!:) The poor Wee Bear, with all his stuff wrecked in such a cavalier manner...:)

A pleasant thought however was that the story really turns stereotypes of people vs animals/monsters on its head. Here, it is the human who is pretty uncivilised, whilst the Bears are polite and courteous and everything one would think bears are not. It was nice to see a story told so cleverly without being preachy; its effortless execution left me thinking about how well we often misjudge the nature of little girls and large bears alike, metaphorically speaking:)

Goldilocks and the Three Bears also left me wondering if I should review next a similar tale - Snow White and the Seven Dwarves - as it features also an intruder waltzing into the beds of strangers with very little consideration; I suppose we'll never know if Goldilocks had as much cause for her behaviour as Snow White did. Or perhaps *gasp* they were one and the same? Hmmmm:)

Well, that's it for now. It's been a long three weeks this April; don't know how I would have made it this far without the generous support of those who've stopped by the blog and commented on my entries; couldn't keep going without the wonderful interaction with you guys, so thank you for all your encouragement! And I hope to have a few more posts up soon before the challenge is over. Ciaos to all:)


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Saturday, 21 April 2012

Announcement and Cover Reveal - Mesmer, Book 1: Sanctuary

Well, folks, it's time to announce that my Three Towers Fantasy series will be out very, very soon... beginning with the Mesmer trilogy!

And here it is - behold my gorgeous new cover for Mesmer (Book #1: Sanctuary):





Mesmer (Book #1: Sanctuary) is slated for release in the beginning of May 2012. Here's a brief synopsis:

A hidden kingdom in a forbidden forest. A realm she can’t escape without the trust of a mage. But trust and magic make complicated allies – when time is running out.

When Lea escapes ruthless pursuers within the shadows of a dark forest, she unwittingly stumbles upon an enchanted kingdom. But Verlaine is not the sanctuary it appears to be. And when its magi sovereign refuses to let her leave, her encounters with strange sorcery and malicious fey become the least of Lea's problems. Soon, Lea must find a way to outwit Gabriel Amarinth’s web of enchantment without betraying who – and what – she really is; and before a traitor can destroy all she’s fought to protect in her beloved home kingdom of Lorien.

Oh, I adore the cover for Book #1. It depicts so beautifully the atmosphere of the book. I've been dreaming of seeing it out there for so long that I can't believe it's actually completed! May I say, I'm over the moon:)

The cover reveals for Books #2 and #3 should be out very soon (in preparation for releases in June and July 2012). Do follow me via the blog, twitter or facebook, or my brand new website, for latest news on the trilogy. Happy reading to all:)


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Saturday, 14 April 2012

Fairy Tale Review: 'Fanta-Ghiro the Beautiful'

The Italian fairy tale Fanta-Ghiro the Beautiful was one of the few fairy tales I came across on the small screen prior to the written page. I was instantly fascinated by the fantasy film Fantaghiro (also known as The Cave of the Golden Rose) when it first aired on local TV, and I caught reruns of the show ever since with that kind of avid fanaticism reserved only for true fans of fairy tales and fantasy:)

The Cave of the Golden Rose is one movie I hope to blog about very soon. The reason I mention it today however is because it did more than spark my imagination on quiet evenings; it also made me seek out the original tale which inspired Lamberto Bava's enchanting adaptation:) Sometime last year, I was delighted to finally hold in my hands a copy of Italo Calvino's Italian Folktales. His version of Fanta-Ghiro the Beautiful (Montale Pistoiese) was one I'd been searching for forever. The story turned out to be pretty short, but was surprisingly effective nonetheless.

Fanta-Ghiro opens with the heroine's father-King receiving a declaration of war from an enemy kingdom. The King has no sons, only three daughters, and he's very old himself, so each of his daughters decide to try lead his army into battle in his place; the twist is, they must relinquish control of the army if they mention "women's work" at any point along the way to battle.

The first two daughters immediately fail this test. Fanta-Ghiro on the other hand, the youngest of the three, disproves all gender conventions very easily by not only passing her father's test but also that of the enemy King's mother. Hmmm, all right, I'm getting a bit ahead of myself there. You see, the  handsome enemy King guesses that Fanta-Ghiro is a woman - perhaps falling in love with her was a powerful clue?:) But he does not know how to prove she's a woman, which means he can't call off the battle and ask her to marry him.

What does our confused and frustrated hero do? He asks his mother for help:) Don't you just love these stories?:)

So, the King's mother promptly helps him by trying to trick Fanta-Ghiro into revealing her gender. But Fanta-Ghiro isn't your typical princess, and by the time the story is through, she has successfully hung on to her position as General of her father's armies, gained a truce between the kingdoms and finally revealed who she is on her own terms before agreeing to marry the besotted enemy King.

Despite the remarkably short length of this tale, let me tell you that I was pleasantly surprised by its tenor. The misogyny apparent in that bit about "women's work" was soon swept aside by the portrayal of Fanta-Ghiro as intelligent, feisty and resourceful; and her actions throughout the tale certainly allowed the reader to see her as an individual rather than merely a gender. The enemy King's obvious quandary provided some delightful moments of amusement, especially the bit where he was left cold and alone and quite naked in a fishpond while his nemesis, beautiful Fanta-Ghiro, made her mischievous escape.

And of course, how could I forget my favourite part of this story: the proposal:) I have to say, this was the first time I'd read a proposal quite like this... From the enemy King to a very pleased Fanta-Ghiro: "General, will you marry me?"

Ha, what's not to like!:) I only wish the story had been longer:)

I do hope you enjoyed this review. I should be back soon with more wonderful features for your reading pleasure. Ciaos and happy reading to all:)


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Thursday, 5 April 2012

Fairy Tale Review: 'East of the Sun and West of the Moon'

I'm so far behind in the atozchallenge, that I'm this close to giving up! But whether I make it through to the 26 posts or not, I've decided to complete my review of the 26 fairy tales I'd initially chosen, so here I go with alphabet 'E' for the Norwegian classic East of the Sun and West of the Moon.

A variant of the Beauty and the Beast tale, East of the Sun and West of the Moon is rather more intricate in many ways. Here, the youngest beautiful daughter of a peasant family brings them out of poverty by agreeing to wed a white bear (ie a 'Beast'), who takes the form of a human prince at night. The girl stays up one night to see his face by candlelight, but inadvertently spills three drops of tallow on the Prince's shirt. This incident unexpectedly brings into effect a curse by the Prince's stepmother, a troll - the Prince is now compelled to leave the heroine and return to the troll Queen's castle, a castle that lies east of the sun and west of the moon, where he is to marry a troll princess as arranged by said stepmum. The tragedy is that the stepmother's curse would actually have been lifted after a year of marriage to our heroine if only she hadn't been so impatient to take that midnight peek at her beautiful prince.

What follows is rather different from what we get in Beauty and the Beast. In the Norwegian version, the heroine must travel far and wide to seek the troll Queen's castle, getting there only with the help of three old women and the winds from the four corners of the Earth (East, West, South and North winds). Once she gets there, she rescues her Prince from the trolls and they live happily ever after (hmmmm, that comes up a lot, doesn't it?).

The bits about this fairy tale that I really adored included the powerful imagery relating to the girl's sorrow at having to leave her family to marry the white bear, the depiction of the heroine's courage and determination to seek a castle that no road led to, and the way in which Nature's elements conspired to help her find her love again. Also, it was pretty cool to see the heroine rescue the hero for once, instead of the other way around:)

If you're thinking of getting hold of this particular tale, I would recommend getting the copy that's featured in Maria Tartar's Annotated Classic Fairy Tales, simply because it contains lots of juicy commentary about the historical and cultural contexts of a very richly layered story. I hope you enjoyed this post, and happy reading!:)


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